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Cake day: June 12th, 2023

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  • I’ve held off rewatching Rogue One until Andor season two finishes, so the former isn’t fresh in my mind, but there is plenty of character development in Andor. He’s the “guy who gets shit done” but at the beginning of the show, he’s reckless and only in it for himself. In that season he sees first hand how the evils of the Empire affect his life, recognizes how his selfishness negatively impacts those around him, sees what it means to be part of something bigger than yourself, and is able to (sort of) move on from a life that revolves around his missing sister. The Rebellion gives him something to focus on and be apart of.

    The ending of episode 6, exactly halfway through the season, is also a perfect midpoint for this arc. He’s approached by somebody that’s in it for themselves, and the reckless, reactive part of Andor reflexively shoots him. He’s refuting the selfish part of himself that would have done the very same thing, but the reckless “shoot first think later” part of him is still alive and well.







  • I would just write the world in a way that is interesting to you, and add to it as players show interest. “Hey, I want to play a Tabaxi” -> “oh okay, let me think about what that means and I’ll get back to you.” This also gives you more latitude for using their ideas to inform the world. “I want to play a Tabaxi Wizard” -> “oh interesting, maybe there’s a clan of them that…”

    You’ll be able to focus on what you care about, which will make the world more interesting, and allow players to incorporate things they care about if they wish, which will make it more fun for them too. Framing it in terms of “up for deletion” implies you need to answer everything about the world from the start, which is not only inefficient but an impossible standard. Just because you haven’t considered something doesn’t mean it can’t exist.




  • Gonna try to phrase this an inflammatory way:

    People who like bad movies have been conditioned by consumerism to not appreciate art. They believe spectacle, humour, and a tight plot are ‘good enough’, and they don’t value thoughtfulness, novelty, beauty, or abrasiveness nearly enough. Film is more than a way to fill time and have fun. Film is more than an explosion, a laugh, and a happy ending.

    On an unrelated note: Mad Max: Fury Road is one of my favourite movies.


  • I think you’ve correctly identified a problem, but misidentified the solution.

    It’s true that there are many redundant communities of which everyone would be better served if there were an easy way to group them together. The solution, however, is not to reduce the number of instances, but rather to provide more tools for instances to group communities together. You want communities to be spread across many instances because this maximizes user control - it’s kind of the entire point? But of course, the lack of grouping makes it very difficult to try to centralize discussion, which is important for the community to grow. This service is still a work in progress, so these kinds of things - I hope - will come in time, as both the technology and culture develops.

    tl;dr: centralized control bad, centralized discussion good, the current system does a bad job of reconciling these two positions


  • If you want, you can view science as a system of organization. A way of making sense of facts. If I give you a file of seemingly random ones and zeroes, it is useless. If I give you an algorithm to decode those ones and zeroes into a message, that has utility. However, somebody else could produce an algorithm to decode those same ones and zeroes into an entirely different message. So, which algorithm is correct? Neither.

    But say I give you another file, and Algorithm B doesn’t produce anything useful for this message, so now Algorithm A is more useful. But I also provide a new Algorithm C which also finds messages in both files. Now which is more correct, A or C? And on and on. We continue to refine our models of the data, and we hope that those models will have predictive utility until proven otherwise, but it is always possible (in fact, almost guaranteed) that there is a model of the universe that is more accurate than the one we have.

    Consider the utility of a map. A map is an obviously useful thing, but it is also incomplete. A perfect map, a “true” map, would perfectly reproduce every single minute detail of the thing it is mapping. But to do so, it would need to be built at the same scale as the thing it is mapping, which would be far too cumbersome to actually use as, you know, a map. So, we abstract details to identify patterns to maximize utility. Science, likewise, is a tool of prediction, which is useful, but is also not true, because our model of the universe can never be complete.






  • or played the game

    I would argue it’s actually a detriment to experience anything other than the source material when adapting a work. Especially with books, different people are going to have wildly different interpretations of the world. The character that exists in your mind is going to be different from somebody else who read the same book. But once it is adapted to a visual medium, you lose a bit of that magic. Which sucks, because all of those previous interpretations are still valid! More valid even, than anything that was put to screen, because they were yours.

    I think the argument for accuracy is kind of bullshit anyway (not that you said this, but others have). Is The Shining (the film) worse for the changes it made to the original text? Stephen King might think so; he would also be wrong. You don’t want something accurate, you want something that’s good. You want somebody with passion and artistic vision to create something new and uniquely amazing. The recent Last Of Us show, to my knowledge, tread pretty closely to the source material. “Aha!” you might say. But what is also true, is that the best episode of that first season was also the probably the biggest deviation from the source material. I probably don’t even need to say which one if you’ve seen the show.

    Anyway, companies should hire people who are both passionate about the source material, and want to make something cool and new in that world - not robots who are just going to recreate the original work beat for beat. If I wanted that, why wouldn’t I myself just, you know, read the book?