Where’s the timeline where EA doesn’t buy Bioware and make them release Mass Effect 2 as a corridor shooter punctuated by cutscenes and conversation prompts?

The difference between ME1 and DA:O and their direct sequels developed under EA’s tenure is stark. Honestly, the trend never reversed as those series continued.

Everyone is whining about this requirement. Do you guys not have a hyperbolic time chamber to jump into? I’m already Super ChatGPT Plus God Mode.

Halo: Reach, Halo: ODST, Halo: CE, Halo 2 - the familiar pattern of carving my way through hordes of enemies is very comforting.

I’ve had a Netflix subscription from before they even did streaming. I had the 4k plan, and even when I wasn’t watching much on there anymore, my kids would use it often. The price hikes just would not stop. Then they started moving into video games, and I started seeing headlines reading “Netflix plans to open brick and mortar locations” - followed by more price hikes and ads being integrated. It started to feel like I was just funding their dumb business moves that I’m not ever going to benefit from.

So now I have a beautiful new NAS running Plex. Just accounting for the Netflix subscription price, I’ll break even in 2 years, and I’m using it for a lot more than just a media server.

I love companies swinging between “we have to increase your subscription costs to allow us to offer more great features” and “our customers are excited about our new features so we need to leverage advertising to continue providing them”. Just repeat until everything is loaded with ads AND costs twice as much!

While Mistborn is a great entry point into Sanderson for many people, to me, it really feels like a freshman effort. I can’t ever bring myself to do a full reread of those books, as they don’t feel as polished or as well put together as his later work. Well of Ascension especially feels like it’s there because a trilogy needs a middle book.

A Memory Called Empire was a book I stalled on and had to restart, but was such a great read. It’s so different from what we get in most space opera, but once I was in, it didn’t let go. It took a while to start A Desolation Called Peace, but that one was an equally great ride that I couldn’t put down. I’m hoping there will be a third entry!

Among my friend group it’s House of Leaves.

“Wow, it’s such an eerie unsettling journey. I really love it.” “you started it last year, did you finish it?” “well …”

I saw another lemmy user claim they had to take a 17 year break from it.

The big thing I’ve run into is regular use vs occasional use. I only use my PS4 as a Blu-ray player these days, and each time I turn it on, it has to figure out if it shut down correctly last time(of course not). Then, after a memory check, it boots. I sign in, and then it yells at me that it has a mess of OS updates to install, which I don’t want to wait for because I just want to watch this damn movie. Plus, my controller barely holds a charge anymore, and if I don’t use the right USB controller plugged into the PS4, the controller doesn’t pair and control the damn thing. If I were using the PS4 every day like I did back in 2016, a lot of these problems wouldn’t be there, but because I boot it once every 3 months, it’s a hassle.

I would love to be able to just slide in a disk and watch in the rare cases I’ve decided to. As it is, I’m about to buy a dedicated Blu-ray player instead of using the hardware I already have.

I better sell my 1,000 copies of Celeste I’ve been sitting on then. I was waiting for retirement, but might as well take the tax hit.

Say one thing for Logen Ninefingers, say he’s a fun POV character.

Luckily Abercrombie has a wide cast of bloody-handed northmen, scheming wizards, cringing nobles, and other fun miscreants after the Bloody Nine has left the stage. A big thing I loved about The Heroes is how it managed to bring me a whole new crop of characters to enjoy, and lose, just contained in that book. I’m excited about the “industrial revolution” sequel trilogy with a next generation of characters. It’s like my father always said: Once you have a sequel trilogy, it’s better to read it than live with the fear it.

After all, you have to be realistic about these things.

I did not know that, I got a 2080 in the lead-up hype to initial release, don’t think I’ll be doing an upgrade just for this.

The huge update that completely rebalances the game, improves UI, and changes the gear system is free. As for PL itself, I’ll happily continue BG3 until the hype dies down and I get a feel for whether it’s actually worthwhile.

Welp, I tore through The Heroes in less than a week 😆 – not only did I like it, but it’s made me certain I’m going to read the other two “First Law World” books. Doing Darker Shade of Magic now it’s… okay so far. Feels a bit young-adulty for my tastes right now.

Oathbringer took me from a Sanderson stan to a bit exhausted. It just felt like a very long slog and not much reward on the path. I’ve been really enjoying his kickstarter books, as they’ve been a bit more svelte, while maintaining his unique penchant for setting up a magical playground and always managing to surprise you with how his toys interact.

I mean if you look at the post history, OP has posted a LOT of things, but also posted two mary sue articles with kind of inflammatory takes on BG3, and Starfield. So I would not say they specifically have been posting rage bait.

Abercrombie-August has stretched into September. After finishing the First Law Trilogy, I started reading the copy of The Heroes I picked up from a bookstore over the summer. I don’t know that I’ve ever seen someone create this very detailed examination of a wholly imaginary battle. It’s like I picked up one of my dad’s books on Gettysburg, except there’s a scheming wizard hanging around.

After this, I’m eyeing something breezy like Dome City Blues by Jeff Edwards or A Darker Shade of Magic by V.E. Schwab. I read Babel last month, and I’ve come to terms with my weakness for: “London but with Magic.” I also want to jump on More Perfect by Temi Oh. I saw Hadestown last winter, and I’m in for some reinterpretations of the Orpheus/Eurydice story.

Yeah - of course games are hard - but all he did was rough out a planet-to-space experience in Unreal Engine with a Starfield aesthetic. If he started trying to build an actual game on it… Well an 8 year timeline doesn’t seem crazy.

Absolutely, the Brand Mines are deep, and no IP will be left unexploited.

Does slapping the Marathon brand on an extraction shooter count as a remake?