It really depends on the media and my level of interest in it. I was only bothering to try and get 1080p copies of stuff I liked due to only having a 1080p TV for so long. But I did make efforts to get 1080 where possible (and based on my drives at the time) even before I had a HD TV and the only thing I had to actually watch that resolution on was my laptop. And that was because I wanted to make sure I had (at the time) the best copies of torrented encodes of stuff I really loved and would want to look good later. But I got a 4K HDR TV a few months ago as my 13yo 1080p TV started just giving black screens on all inputs. And while a lot of things are fine, the limitations of the encodes are showing much more.

If I am just checking out something that I have heard about or was told to check out by a friend. I might just grab a 1080 or even 720 copy since they are often the top seeded results. Then go back and find 4k copies if I really get into it. Though my main issue today is similar to back when I was using my laptop. Storage space. I started ripping my Blu-rays and I am the worst about dealing with compression stuff. So I really really need to get on making that media server I have been “meaning to build” for years. Get some 18TB or 20TB drives and RAID the shit out of them for redundancy. lol.

I tend to notice the drop in quality in more slow scenes since there is more time to notice it. Though very action heavy scenes do suffer if the encode is bad. It would be really nice if we did see more shit in 60fps though. I understand what lots of “but 24fps is more ‘cinematic’” mean for some kinds of shots/movies. But after being so adjusted to 60fps and higher (even if shit is interpolated due to having had a “120Hrz” TV since like 09), shit is much much cleaner. The “soap opera effect” is a real thing, but it kind of just stops being an issue after you get used to it and see the benefits of clarity and smoothness. And it is much more like how seeing shit in real life.

I have been having a real hard time going back to watch movies and especially animated media. Like a panning shot in an anime just looks so damn jittery. It completely takes me out of the thing I am watching as it can make me feel a weird kind of nauseous. Lots of regular movies and shows also do this. Some of it might be due to some stuff that was shot in early digital making it worse. But it does happen with stuff shot on film too.

Just really sucks that the industries seem to go out of their way to make it hard for studios/film makers to try weird shit now that we have it. Like I would love to have the 44fps version of The Hobbit since I missed being able to see it in theatres. But the home releases are all set to traditional speeds. It isn’t a limitation of the Blu-rays themselves from what I understand. But the players tend to only allow 24/30fps for playback. Though I would love to be wrong about that. But still just artificial shit stopping potential advancements (or at least fun efforts to try shit). Those Spiderverse movies being done in layers of different fps rates is an example of trying some weird shit that was dope.

Unfortunately that kind of forgetting tends to be forgetting if I took my meds before work. Since I fall pray to always being late, and coffee in addition to the “fuck fuck fuck not again!!” rushing around makes it hard to know if my meds are kicking in or if the former making me feel awake.

Well it is good to have little reminders lik… wait a sec there

Same! That was like the first “WTF?” thoughts I had (while also lulz-ing). Had to share somewhere that would know the feeling. I have large doses of Impostor Syndrome in basically all parts of my day to day life. But one of the weirder ones is that I might not be actually ADHD and the meds that have been a game changer will be taken away (especially as the pushes to make getting them harder arise). But then I read/watch stuff about ADHD that are waaaaaay to deep a cut into my life to have that “oh shit, well I most certainly have ADHD for real then.” lol. Just so so many parts of my personality and youth just make sense.

Being 100% honest with you. I basically do that. Just enough to take the edge off. Sometimes just need to have something super basic and bland as hell.

At least it should still work with the hard coded sponsor spots that are actually part of the videos (like the “brought to you by Manscaped” or whatever).

Not surprised, I think a lot of sites tend to start removing things as they are posting about being made to do so. As I imagine that having them still up after posting about the removals would likely cause a surge in downloads. Not sure what kinds of things the sites might have to (or be compelled to if formally sued) provide to lawyers/courts. Would (at least to my non-understanding of processes) be that many more “infractions” to add to a “damages” total. Even if none of my assumptions are an issue. It is just like any other data issue. The worst time to try and get copies for a backup is after shit happens/fails. Though I imagine that at least for 8-bit and 16-bit games, there are plenty of copies on plenty of sites and torrents.

For indi-devs having a “donate” option on their page might be good for both people that maybe pirated but liked it enough to send some amount (even if not the full price). And could be a random source of money to off-set some of the pirated copies from people that just decide they wanted to show additional support for the efforts of the devs.

Lots of fans are willing to leave donations especially if the devs are at risk of shutting down or some other hardships. So long as the donation options only go to the devs/creators or their specific studio/company and not to some larger entity/publisher. Store fronts like itch.io allowing devs to have both an official front to allow safe free copies along with the normal price and “pay what you want” stuff is also nice.

Stuff like YouTube’s system (and will keep getting much worse as every company trips over themselves with AI in everything) is so fucking rigged with major companies getting shit auto-claimed. And then relies on more auto-rejecting the channel’s disputes. And they get to claim that shit must work because most creators can’t afford to risk fighting further. The only times shit gets really reviewed by people is when shit happens to a mega channel. Since those channels/companies have both special tools that 99% of creators don’t have (or maybe know about), AND more crucially they have connections at YT.

I really want to move as much of the stuff I watch to other sites (made sure to add extensions to let me know if a channel/vid is also on Odysee/Lbry). If more services are able to get apps onto devices like Roku/consoles and/or the other boxes/TV OSes then it would be easier. I personally watch most YT stuff on my TV and not my phone or PC. Normies of course default to YT since it has been around so long and because it has apps on everything. Would be dope if services with P2P shared delivery to help reduce server loads (like PeerTube and Lbry) could work on stuff like Roku/consoles but would be more or less impossible due to lack of space and the locked-down nature.

Aside from options like PeerTube being much more complicated given both making accounts and learning curve in how federated instances work. The alts to YT also seem to fall victim to so much of the main page content (currently) being far-right and crypto scam/hype channels. If the services get the label of being “for” that stuff, then it is hard to get more mainstream users/creators. But we really really need something that isn’t YT. The class divide of strikes and bans is beyond fucked.

Glad to see someone mention OO. I was going to, and saw your comment. I will always be down for LibreOffice, but OnlyOffice might be the “best” option for lots of people that are easily intimidated with change (or more specifically how something looks different). Even if it is lacking on some features, it just matters how the person it is recommended to uses MS Office. Being fair using MS Office or any of the similar suites is overkill for what they do. If smaller programs like Wordpad (RIP) or opensource Rich Text Format editors could handle so many general purpose documents.

Gintama has some of the funnier versions of those notes. Can be annoying if you don’t care as they take it to 11 covering most of the screen to explain a reference to a bank scandal in the 90s or other very specific stuff. Cracks me up with the level of care about making sure you are aware of something used in a quick joke that might not really matter. Such a nice way to see and know random info on Japanese slang words and phrases in the context of a moment.

Very hard to convince people to buy things “legitimately” and have any trust in any of the “legit” options when they just go away so fucking easily. Stuff like anime has been a real weird example of both how horrible the corps on the Japanese side just squeeze every single fraction of a penny from stuff (fucking like two eps of a show on a modern DVD or even Blu-ray). But also feel zero reason to expand options in the first place. They were so fucking slow to get digital or streaming options. Same goes for the foreign outlets that get rights outside of J-land, but I am sure they were more likely to want to combat piracy via stuff like streaming. Funny thing about anime piracy is that it is literally the reason so many shows and movies were even seen and is the main reason so many people got into all of it. Back in the early 00’s when I made friends with people that had cable internet and ready to burn as many eps as they could fit on a CD-R and later DVD-/+R.

It was just so amazing to see all these shows that weren’t just completely altered by lazy US companies or ever likely to be translated. No US companies thought that Americans would ever understand or get into this weird Japanese stuff and not put money into it. But they sure started caring when torrents got going and the numbers were growing. One thing that has really pissed me off with legal digital copies of anime comes down to how it is still behind on basic shit. We have had multi-audio/subtitles on pirate copies and even on legitimate physical discs. But the legal versions of digital copies still have to be either bought in sub or dub. It is a slap in the face of fans to have to buy two different copies just to have multi-audio in Japanese and English. I thought that shit would have been left behind with VHS.

All of these companies demand our money and often charge prices that are just too high for their target audiences (especially teens that don’t have jobs like so many of us have lived through). And yet they seem to do everything possible to make the options for purchase so much less usable compared to pirate versions. I would take a fansub that might be a bit off but has actual passion for community and accessibility over legit copies every single time. But I am also more than happy to pay for things if I don’t keep being treated like I already stole it and should be grateful for being “allowed” to pay for it. I would love to pay for these things and know that the actual workers are able to live, and not just so overworked and not able to afford rent. But the entire media industry treats both the workers and the customers so fucking bad. They are making things worse for themselves by showing how we can’t trust our purchases to even be around from one day to another. So why shouldn’t we just take it and know that we will have it?

Given how lots of smaller shows and other things will never get re-prints or re-masters on modern media. It is also our jobs to preserve these things that the companies feel aren’t worth the money to do so if they aren’t. If I ever have kids, I would like to be able to know I can show them my favorites. Looks like I will also need to show them how to sail the digital seas and that “legit” options should always be treated as liars that steal your money AND take away what you paid for.

🏴‍☠️

They really went hard on VCRs before all of that for the same reasons. Fortunately the time shifting argument was able to be backed by the courts. Otherwise TiVo and so many other formats would’ve basically been banned from the general public being able to have anything nice. Was especially important rulings for forcing most content providers and/or studios into using new ideas and technologies. They are the ones that hold back on everything that could actually make it easier to legally enjoy content.

They make things require so many hoops to go through and like a punishment for wanting to enjoy anything legally. While also making it cost more on their end overall. If these companies were to embrace stuff like torrenting tech, then it would mean less overall costs needed to always be running. We have so many ways of getting stuff from here to there and making sure media is not lost. Copyrights should at best last like 10 years imo. These companies still can’t even be bothered to allow me to buy movies and shows digitally that maybe got a DVD release. So if they won’t give options, then they forfeit the right to claim any “damages” or “lost sales.”

I did fail to mention it is US only (my bad in that). Though it could get expanded if it is popular enough and it can be pointed to as “reducing piracy.” But international laws being complicated from nation to nation is also an issue, or at least something they might say. I haven’t been out of the country since setting it up, so I am curious if I would need a VPN to access my licensed stuff. Maybe would work for folks that have made accounts in the past with VPN? Idk.

It does work with some very limited sets of shows. But like I said, they aren’t really about that and the shows tend to be from studios like HBO. But not helpful for most anything other than movies.

It is a unified interface, but if I buy a MA labeled movie from say Vudu. It will also show-up in my iTunes, Microsoft, YouTube/Google Movies, Amazon, and of course MA. They have some additional connected services via Direct TV and Verizon, but I don’t use those. But the point is that if I get it on one of the services I connected, they become available on all of them. Even when the UltraViolet service went down, I didn’t lose the things I had bought. Though I think that Disney must have bought their connections and the UV stuff was migrated. Though I am not sure of those details. Either way it didn’t lead to me losing anything.

It also does require that you periodically sign back into their site to re-connect each provider similar to how you have to sign back into other sites. But again, I at no point have lost access to what was in my account if I haven’t signed in to re-verify. It isn’t as cut and dry as having the physical discs or a torrented copy on a NAS. But it is still worth knowing about if you have “legit” copies. I really wish that there were a way to link my Plex account and be able to watch them in the same front-end as my local stuff though. But no way that is going to happen unless Plex completely stops supporting the Plex Server and works out deals to use APIs of stuff like Vudu, Amazon, iTunes, etc…

I haven’t ran into a situation where any of the digital copies of things I bought have been pulled. So I can’t speak to what happened with your friends. But I will say that if you have any purchased digital copies of movies, you should at least setup Movies Anywhere and link all accounts you have. It isn’t like how Steam will still allow you to download a pulled game. But it does give you copies of things on multiple sources once linked. So if you got something on Amazon, it would also be linked as “purchased” on other services like Vudu, YouTube/Play Movies, Apple, etc… It won’t apply to everything you have got but would likely cover most big name items.

It used to be marked with the old “Ultraviolet” branding, but when that was shutdown the basic underlying service was transferred to Movies Anywhere. Most of the time you can see which things would count because they have the MA logo. Not great for smaller releases and most shows won’t be part of it (atm at least). Though some shows might also show up, as I have seen things from HBO and some other ones.

All that being said. You are very much correct about “buying isn’t owning” these days. And even when there is something like MA, there are still thousands of movies and shows that will only ever get a digital “release” from torrents/P2P. Sad that some cool shit will never get a real HD re-master for Blu-ray (let alone streaming). I very much feel that studios should have at best a 10 year window to make whatever sales before the masters should be copied to public archives. If the studios won’t do it, then there are more than plenty of people out there that would do the job for the love of keeping old media preserved and accessible. Also bullshit when I try to go the “legal” route and find a show on one service in HD but only in SD on others. It is pretty infuriating to see that in some cases I can only get like season 2 of something on say Vudu for example, but season 1 is seemingly exclusive to Amazon. And one is in HD and the other is only SD.

SponsorBlock is really good for dealing with the “this video was brought to you by” ads. There are also some other extensions that will either auto-press the “Skip Ad” button when possible, and others that will treat it like a podcast app and just change the playback speed for the ads to some really really fast speeds. So the ads are still present, but are over in seconds.

Maybe what they meant was that there isn’t a rule about needing to seed individual torrents to a certain point? Seeing how they also mention “maintain a global”, which is pretty normal for lots of private trackers. But that is my guess, even though it still counts as a “seeding rule.”

That makes at least a portion of my youth make more sense all of a sudden. It also doesn’t help that at least stimulants-based treatment adds its own bump.

TamperMonkey is one of the “recommended” add-ons when I look at the list on my Android version of FF and I am not on a beta or dev build.