So you’re doing something you personally believe is unethical and your argument is that we should also follow your belief that it is unethical, while we continue to do it? If you genuinely feel it’s unethical, why are you even doing it? Just stop lol
Friendly reminder that consent popups that don’t have a clear “reject” option right next to the “accept” button are a violation of GDPR. You can report these to your country’s data/privacy governmental body - for example Datatilsynet in Norway/Denmark, CNIL in France. You don’t have to do it for every website that you go to, obviously, but if you do it even once you’re helping solve this problem for more users than just yourself.
Others have given you some good technical solutions - personally I use the uBlock Origin + annoyance filters enabled approach, and use Firefox on Android to get the same experience there.
Basically everyone assumed Greece would handle it in a humanitarian way
That may be more the way the article presents it - Frontex infamously replaced a more humanitarian approach under the guise of “cost savings” and then over the years grew their budget beyond what was spent on border crossings before they came into the picture, and now is under increasing scrutiny over how they just watch migrants die or even push them back - the Mediterranean border crossing is said to be the deadliest in the world.
If you’re using Firefox you can click the reader view button and the article is readable again so it seems to be a soft paywall, otherwise archive.is works
One can even argue that the tools needed to avoid IP are already here: crowdfunding models, commissions, and Patreon-esque income, and likely in the near future, universal basic income - you can consider the government/taxes subsidising your ability to create art if you’re starting from zero skills/connections/reach or from scratch with a specific project. With these, why does the author even retain total IP? Their project is funded by the community, so it’d make sense that the creator and the community had a more symbiotic relationship rather than the parasitic one where the author is effectively a digital landlord and dictator with complete control over the project.