Warning, this story is really horrific and will be heartbreaking for any fans of his, but Neil Gaiman is a sadistic [not in the BDSM sense] sexual predator with a predilection for very young women.
Paywall bypass: https://archive.is/dfXCj
Warning, this story is really horrific and will be heartbreaking for any fans of his, but Neil Gaiman is a sadistic [not in the BDSM sense] sexual predator with a predilection for very young women.
Paywall bypass: https://archive.is/dfXCj
This article from 2017 is worth a read for anyone trying to figure out whether/how to separate the art from the artist.
What Do We Do with the Art of Monstrous Men? By Claire Dederer, Paris Review, November 20, 2017 https://www.theparisreview.org/blog/2017/11/20/art-monstrous-men/
I never read this and I really appreciate the share.
Some parts that spoke to me:
Yeah. Guilty.
I found this fascinating. While I was confused by Allen’s statement and why women found it so disgusting, the Trump parallel made it click.
Going back to Gaiman, his work is held to a very high standard. But to say you dislike it, you will be met with confusion or even anger. And this is where this piece really spoke to me.
A tangent in the essay about women writers. I found it fascinating that when a fuckface like Elon Musk abandoning his more than dozen kids can still rise the ranks. but God forbid a woman does the same.
There really is no answer to this that the author provides.
The tangent I shared is her last thought: does great art only come from monsters? I think a lot about other creative works, painters, comedians film makers… Who does some wild shit but not nearly to the level of Gaiman’s accusations.
Also, like all summaries, read it yourself and find your own takeaways. It’s the nuance, not the summary, that has value.
Nah. It’s well known that power corrupts and being a great artist is a form of power, so that skews things perhaps, but I really don’t think there’s a direct correlation.